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In Cleveland, we’ve got world-class experiences without the world-class ego. And for that, you’re welcome.
World-class experiences without the world-class ego.
Here in Cleveland, we’ve got beef cheek in our pierogi, truffles on our hot dogs and beer in our donuts. Balance.
Whether you’re into the thread count of your linens or just a place to crash for the night, we’ve got a hotel room with your name all over it.
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History hasn't always been easy on us. But pressure can create diamonds. Come check out our gems.
A Karamu House classic, Langston Hughes’ “Black Nativity” will run throughout the holiday season in December. Hughes, who taught at Karamu House, called this work “the Gospel Song-Play” and it toured the world when it first debuted in 1961. Put simply, it tells the nativity story from the bible with an all-Black cast.
"His tone has that intimate, elusive, near-tragic, near-comic sound of the Negro blues, and is equally defiant of analysis" is how a critic described this work by Langston Hughes, who mentions Paul Lawrence Dunbar, Carl Sandburg and Walt Whitman as his main literary influences.
As a young man, Hughes participated enthusiastically in the activities of the Karamu Players in Cleveland, and later he was to found Negro theatres in Harlem, Los Angeles and Chicago. He wrote a number of plays and musicals before creating what he calls "the Gospel Song-Play" … which is Black Nativity.
First performed at the York Theatre and then at President Kennedy's International Jazz Festival, it went on to cause a sensation at the Festival of Two Worlds at Spoleto, Italy. A New York Times critic reporting from Spoleto wrote, "Sophisticated Italian audiences greeted Black Nativity with enthusiasm, taking part in the singing and hand clapping and insisting on curtain call after curtain call." The staid Rome newspaper Il Tempo wrote, "The elegant festival public appeared to have forgotten itself, lost in this rhythmic wave that overwhelmed it, an integral part itself that bound stage and auditorium in a mystical fusion." In London, Oslo, Brussels, Copenhagen and Rotterdam, Black Nativity triumphed before its return to New York and the then-new Lincoln Center.
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