The CMA’s presentation centers on Panorama No. 2 (2015–16), a recent gift to the museum by Mr. Richard Jeschelnig and Mrs. Michelle Shan Jeschelnig. The monumental diptych exemplifies a technical shift the artist introduced into his work in 2010, when he began using computer software to generate patterns of pixels that are converted onto canvas and subsequently filled with color. The CMA’s presentation centers on Panorama No. 2 (2015–16), a recent gift to the museum by Mr. Richard Jeschelnig and Mrs. Michelle Shan Jeschelnig. The monumental diptych exemplifies a technical shift the artist introduced into his work in 2010, when he began using computer software to generate patterns of pixels that are converted onto canvas and subsequently filled with color.